International Style
Architecture

If you've ever stood in the narrow canyons of a major city's downtown, surrounded by identical turrets of sleek metal and glass, and you get the feeling of nameless corporations watching over you, then you are familiar with the International Style. Unlike its predecessor Art Deco, which kept one foot subtly rooted in the past via its restrained decoration and nods to bygone civilizations, the International Style went full-steam into modernity, eliminating any references to past styles and eschewing form in favor of pure function. This approach married perfectly with the post-war corporate philosophy of utilitarianism, and thus the “glass box” became the defining template for office buildings in the mid-century decades.

The Seagram Building in NYC

Absence of ornamentation

The name of the game is utility, so any superfluous or unrelated building elements are tossed out, which is one of the defining features of the style

The boxy shapes of two International Style buildings

Boxy shapes

An emphasis on minimalism means most buildings have basic, rectangular shapes (hence the "box" part of the "glass box" phrase)

The shiny glass facade of an International Style building

Streamlined surfaces

Glass, especially when used in large sheets for a curtain wall, lends a smooth, streamlined surface (the "glass" part of the phrase)

Close up on the windows of the Seagram Building in NYC

Repetitve modular forms

Small patterns created by steel, concrete and glass are repeated with regularity, making buildings look as if they were constructed in modular sections

Prominent steel mullions on an International Style skyscraper

Prominent vertical mullions

Though facades in general are streamlined, it isn't uncommon to see prominent vertical mullions of steel or concrete slightly protruding out

A close up of the thick spandrel panels of an International Style skyscraper

Thick horizontal spandrel panels

While vertical mullions emphasize height, they are balanced out by the horizontal nature of thick spandrel panels, usually of bronze or steel

Strong straight lines of an International Style building

Strong straight lines

Bold horizontal and vertical lines create sharp 90-degree angles and compliment the general boxy shape of the building

A close up of the flat roofline of an International Style building

Flat rooflines

In keeping with the streamlined surfaces and unadorned forms, building roofs are almost always flat - you won't see many pitches or angles

A close-up of the ribbon windows on an International Style skyscraper

Ribbon windows

Large panes of glass, usually floor-to-ceiling, are arranged into horizontal bands to emphasize space and light as well as to maintain uniformity

An abstract red cube in front of an International Style building

Minimalist plazas

Many buildings are complemented by minimalist plazas surrounding their bases, which frequently feature an abstract sculpture

A cluster of nearly identical International Style buildings

Monotonous uniformity

Because uniformity of features is of utmost concern, monotonous scenes can be created when buildings are grouped together

A worker stares out the window of an International Style skyscraper

Soulless corporate-ness

Prominently used in corporate architecture for decades, the style is thus often used to depict a certain soullessness and routineness of corporate America

A worker stares out the window of an International Style skyscraper

Showcased raw materials

Proud to showcase new construction techniques and raw materials of glass, steel, and concrete, buildings even use the exoskeleton in the design

The cantilevered base and plaza of an International Style building

Cantilevered bases

More common in residential modern architeture, cantilevers give the impression of impossible weightlessness for such large structures

The upper stories of an International Style skyscraper

Uniformity, but not symmetry

Facades must be regular and uniform, but the overall shape of the building does not need to be symmetrical from front to sides, and often isn't

Inside the offices of an International Style skyscraper in the 1950s

Uniformity, but not symmetry

Facades must be regular and uniform, but the overall shape of the building does not need to be symmetrical from front to sides, and often isn't