Arche-tecture
The archetypes of architecture
The starbursts and pastels of Googie. The angularity and colorful bursts of Art Deco. The topics below are mainly Western styles for now and are arranged generally by timeline of adoption, starting with Greco-Roman classical architecture all the way to Postmodern.
Postmodernism
A rebellion against the “modern” glass box that reintroduced some ornament
Brutalism
A fittingly harsh name for this spiritual sister of the International Style
International Style
The style that redefined corporate architecture and gave us the “glass box”
Googie
Mid-century visions of the future in building form, heavy on the Space Race aesthetic
Mid-Century Modern
The style that redefined suburban America during the 1950s and 1960s
Streamline Moderne
An polished, more minimalist and more horizontal offshoot of the Art Deco style
Art Deco
Very much modern, but with a decorative flair and a subtle eye on the past
Art Nouveau
The first style to kick off the modern movement, which drew inspiration from nature
American Queen Anne
A confusing and misleading name for a very quirky and colorful style
Victorian Second Empire
A quirky style best known for giving us the stereotypical Halloween house
American Neoclassical
Classicism enjoyed another revival in America, shaping public buildings for decades
English Neoclassical
Not fully Classical, not fully Renaissance, but some blend of the two – with a British flair
Cycladic
An iconic vernacular style characterized by white stone and blue domes
French Baroque
The Chateau style was fit for a king, but the Baroque style was made for an emperor
French Chateau Style
A style literally fit for kings and queens, marrying Gothic and Renaissance
Italian Baroque
The Catholic Church’s highly decorative and theatrical statement style
Italian Renaissance
The first major return to Classical roots, making it the first of the neoclassical styles
Gothic
The first real departure from Greco-Roman designs, with visions of heaven
Classical (Greco-Roman)
From Mediterranean shores came the West’s “one style to rule them all”